Take collective action to break down the systemic barriers to representation of creators of colour. We know that people of colour are under-represented in the creative and cultural sectors. In this report we argue that one of the challenges to changing this is to confront a negative cycle of barriers which are reflective of those seen within our society more generally. (Ramdarshan, 2019: 15)
Similarly, I would argue that criminology, in its vision, should seek to provide for, and validate, new routes of access for stories of crime, be they fiction, or non-fiction, as a way of embedding and validating more diverse epistemological lenses from which to view the racialization of crime. Mordhorst (2008) argues for the reintroduction of experimental elements into academic approaches to criminological history. Mordhorst further argues that the story as counter-narrative method, may provide us with new insights into why some narratives attain hegemonic status, and how this can help us to understand the construction and function of historical consciousness. Colvin (2015) similarly sees the power of the dominant discourse is to include some stories as tellable and exclude others as marginal and abnormal.
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