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Participatory theatre, in a wide body of works, is discussed as an artistic format that allows marginalised subjects to articulate their voices and enact citizenship – especially in the context of migration and race. In this contribution, I will critically engage with these perspectives and investigate the ambiguities and ambivalences that come along with story-based theatre projects, particularly when involving young refugees and asylum seekers. Based on three months of fieldwork in a community theatre project in Leipzig (Germany), I will take a closer look at moments of silence, rupture and withdrawal and reflect on (dis)articulation as enactment of citizenship. This work is embedded in the Humanities European Research Area research project ‘The everyday experiences of young refugees and asylum seekers in public space’ (2019–2022).
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