The Ghibli ‘aesthetic’: sustainable images online – a commentary on ‘To the cultural turn and back again’ by Anastasia Loukianov
Search for other papers by Zoe Crombie in
Current site
Google Scholar
-
Crombie, Z. (2021) The spectacular mundane in the films of Studio Ghibli, Journal of Anime and Manga Studies, 2: 1–26. doi: 10.21900/j.jams.v2.507
-
Hund, E. and McGuigan, L. (2019) A shoppable life: Selfhood and influence in the social media storefront, Communication, Culture and Critique, 12(1): 18–35. doi: 10.1093/ccc/tcz004
-
Loukianov, A. (2023) To the cultural turn and back again: the relevance of aesthetics to the possibility of sustainable futures, Consumption & Society, 2(1): 146–57, doi: 10.1332/NHOW1883.
-
Niskanen, E. (2017) Deer gods, nativism and history: mythical and archaeological layers in Princess Mononoke, in R. Denison (ed) Princess Mononoke: Understanding Studio Ghibli’s Monster Princess, London: Bloomsbury Academic, pp 41–56.
-
Smith, M.J. (2012) Animating child activism: Environmentalism and class politics in Ghibli’s Princess Mononoke (1997) and Fox’s Fern Gully (1992), Journal of Media and Cultural Studies, 26(1): 25–37. doi: 10.1080/10304312.2012.630138
-
Spellings, S. (2021) Do I have an aesthetic?, Vogue, https://www.vogue.com/article/do-i-have-an-aesthetic.
-
Princess Mononoke (Hayao Miyazaki, 1997, Japan) (Studio Ghibli)
Search for other papers by Zoe Crombie in
Current site
Google Scholar
| May 2022 onwards | Past Year | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 1151 | 716 | 16 |
| Full Text Views | 22 | 9 | 6 |
| PDF Downloads | 34 | 12 | 5 |
Institutional librarians can find more information about free trials here
We are a leading social science publisher
committed to making a difference.
Bristol University Press and
Policy Press
bristoluniversitypress.co.uk