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- Sociology of the Media x
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At a time of contested realities and a renewed focus on the power of personal stories, narrative research is as relevant as ever. But while it has been praised for ‘giving voice’ to individuals and highlighting how they make sense of the social world, critics are starting to question which voices are being heard, or allowed to speak, and which experiences are made to count.
Supported by the editors’ popular podcast Narrative Now, this interdisciplinary volume addresses timely concerns about representation, power, voice, and the ethics of storytelling.
Contributors explore the capacities and limitations of narrative research, and map out new directions for the field while honouring its legacy.
From fake news to infringement of privacy in digital spheres, the changing landscapes of media and public communication have completely transformed contemporary democracies in recent decades.
Disruptions of media functioning can be seen as evidence for a transition from democracy to post-democracy, but how plausible is this scenario? Using empirical evidence, the author asks how imminent the threat of the end of democracy is, and how it can be restored.
Exploring the creative and destructive ways individuals and groups make use of new digital and social media in democratic societies across the world, the book presents a much-needed critical theory of the public sphere as we enter the new digital age.
This book examines the evolution of digital platform economies through the lens of online gaming.
Offering valuable empirical work on Valve’s ‘Steam’ platform, Thorhauge examines the architecture of this global online videogame marketplace and the way it enables new markets and economic transactions. Drawing on infrastructure, software, platform and game studies, the book interrogates the implications of these transactions, both in terms of their legality, but also in how they create new forms of immaterial labour.
Shedding new light on a previously under-explored branch of the study of digital platforms, this book brings a unique economic sociology perspective into the growing literature on videogame studies.
EPDF and EPUB available Open Access under CC-BY-NC-ND licence
This book addresses new challenges to the formation of publics in datafied democracies. It proposes a fresh, complex and nuanced approach to understand ‘datapublics’, by considering datafication and public formation in the context of audience, journalism and infrastructure studies.
The tightly woven chapters shed new light on how platforms, algorithms and their data infrastructure are embedded in journalistic values, discourses and practices, opening up new conditions for publics to display agency, mobilise and achieve legitimacy.
This is a seminal contribution to the debates about the future of media, journalism and civic practices.
The 2017 persecution of the Rohingyas resulted in around a million Rohingyas fleeing to Bangladesh, India and Malaysia.
This book investigates the complex challenges of managing the large-scale refugee exodus in Bangladesh and how best to resolve these challenges in the future. Using a mixed method approach that includes a survey, key informant interviews and numerous short case studies of persecution, the authors also examine the problematic influence of the media, as local depictions of Rohingya refugees often caused further tension and divides in the midst of the refugee crisis. The book’s analysis offers a deeper understanding of the causes and drivers of identity-based politics among Myanmar’s Rohingya.
The Disney Princesses are a billion-dollar industry, known and loved by children across the globe.
Robyn Muir provides an exploratory and holistic examination of this worldwide commercial and cultural phenomenon in its key representations: films, merchandising and marketing, and park experiences. Muir highlights the messages and images of femininity found within the Disney Princess canon and provides a rigorous and innovative methodology for analysing gender in media.
Including an in-depth examination of each princess film from the last 83 years, the book provides a lens through which to view and understand how Disney Princesses have contributed to the depiction of femininity within popular culture.
New Zealand’s relatively recent decriminalisation of sex work, and its unusual success in combatting COVID-19, have both attracted international media interest. This accessibly-written book uses the lens of news media coverage to consider the pandemic’s impacts on both sex workers and public perceptions of the industry.
Analysing the stigmatisation of sex work in both short- and long-term contexts, the book addresses the impacts of intersectional oppressions or marginalisations on sex workers, and the ways sex work advocacy relates to other social justice movements. It unpicks how New Zealand’s decriminalisation approach functions under stress, offering valuable information for advocates, activists and scholars.
Media representations of ageing play a role in stereotype formation and even reinforce them. Encountering these stereotypes can negatively impact the self-esteem, health status, physical wellbeing and cognitive performance of older people.
This international collection examines different dimensions of ageing and ageism in a range of media. Chapters include explorations of the UK media during the COVID-19 pandemic; age, gender and mental health in Ghana; advertising in Brazil; magazines in Canada; Taiwanese newspapers; comics, graphic novels and more.
Bringing together leading scholars, this book critically considers differences in media portrayals and how older adults use and interact with the media.
There is increasing pressure on the humanities to justify their value and on criminology to undertake interdisciplinary research. In this book, Rafe McGregor establishes a new interdisciplinary methodology, ‘criminological criticism’, harnessing the synergy between literary studies and critical criminology to produce genuine interventions in social reality.
McGregor practices criminological criticism on George Miller’s ‘Mad Max: Fury Road’, Prime Video’s ‘Carnival Row’ and J.K. Rowling’s ‘The Cuckoo’s Calling’, demonstrating how these popular allegories provide insights into the harms of sexism, racism and class prejudice.
This book proposes a model for collaboration between literary studies and critical criminology that is beneficial to the humanities, the social sciences and society.
As social media is increasingly becoming a standard feature of sociological practice, this timely book rethinks the role of these mediums in public sociology and what they can contribute to the discipline in the post-COVID world.
It reconsiders the history and current conceptualizations of what sociology is, and analyzes what kinds of social life emerge in and through the interactions between ‘intellectuals’, ‘publics’ and ‘platforms’ of communication.
Cutting across multiple disciplines, this pioneering work envisions a new kind of public sociology that brings together the digital and the physical to create public spaces where critical scholarship and active civic engagement can meet in a mutually reinforcing way.
