Research
You will find a complete range of our monographs, muti-authored and edited works including peer-reviewed, original scholarly research across the social sciences and aligned disciplines. We publish long and short form research and you can browse the complete Bristol University Press and Policy Press archive.
Policy Press also publishes policy reviews and polemic work which aim to challenge policy and practice in certain fields. These books have a practitioner in mind and are practical, accessible in style, as well as being academically sound and referenced.
Books: Research
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- Type: Book x
- Criminological Research Methods x
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EPUB and EPDF available open access under CC-BY-NC-ND licence.
How can we use evidence to improve deradicalisation and violence prevention outcomes?
Based on work developed during the implementation of the cross-European INDEED project, this is an essential reference book for practitioners, researchers and policy makers. It sets out the three pillars of best evidence-based practice – scientific evidence, professional judgement and consideration of clients’ preferences, values and beliefs. Demonstrating both successful and unsuccessful approaches with case studies from the field, the book offers practical strategies for prevention teams designing and evaluating their programmes.
Crime research has grown substantially over the past decade, with a rise in evidence-informed approaches to criminal justice, statistics-driven decision-making and predictive analytics. The fuel that has driven this growth is data – and one of its most pressing challenges is the lack of research on the use and interpretation of data sources.
This accessible, engaging book closes that gap for researchers, practitioners and students. International researchers and crime analysts discuss the strengths, perils and opportunities of the data sources and tools now available and their best use in informing sound public policy and criminal justice practice.
Convict criminology (CC) is based on the belief that the convict’s voice has been traditionally ignored or marginalized in scholarship and policy debates, and that its inclusion can positively impact the fields of corrections, criminology, criminal justice, and policy making.
Designed for students, scholars, and activists worldwide this is the first sole-authored book to comprehensively explain the CC approach to scholarship, teaching, mentorship, and prison and criminal justice activism. It reviews the history and scholarship on this engaging field and the challenges that the approach has encountered. It features:
• exhibit boxes;
• end-of-chapter keywords;
• test questions - including multiple choice, short answer and essay format.
The soundscape of prison life – for both inmates and staff – is that of constant clangs, bangs and jangles. What is the significance of this cacophonous din to those who live and work with it? This book tells the story of a year spent with a UK prison community, bringing its social world vividly to life for the first time through aural ethnography.
Kate Herrity’s sensory criminology challenges current thinking on how power is experienced by the imprisoned and the lasting effects of incarceration for all who spend time in these environments.
As contemporary policing becomes ever more complex, so knowledge of practical psychology becomes ever more important in everyday policing encounters, situations and contexts.
This book suggests how new ways of applying psychological knowledge and research can be of benefit in a range of policing contexts, for example, beat patrols, preventing crime and using the self-selection policing approach to uncover serious criminality from less serious offences.
Looking forward, Jason Roach suggests how psychological knowledge, research and policing might evolve together, to meet the changing challenges faced by contemporary policing.
In encouraging critical thinking and practical application, this book is essential reading for both police practitioners and criminology, policing and psychology students.
There is increasing pressure on the humanities to justify their value and on criminology to undertake interdisciplinary research. In this book, Rafe McGregor establishes a new interdisciplinary methodology, ‘criminological criticism’, harnessing the synergy between literary studies and critical criminology to produce genuine interventions in social reality.
McGregor practices criminological criticism on George Miller’s ‘Mad Max: Fury Road’, Prime Video’s ‘Carnival Row’ and J.K. Rowling’s ‘The Cuckoo’s Calling’, demonstrating how these popular allegories provide insights into the harms of sexism, racism and class prejudice.
This book proposes a model for collaboration between literary studies and critical criminology that is beneficial to the humanities, the social sciences and society.
The people most impacted by criminal justice policies and practices are seldom included in the decision-making processes that affect their lives.
Building on the ‘nothing about us without us’ social movement, this edited volume advocates an inclusive approach to criminology that gives voice to historically marginalized, silenced, and ignored groups.
Incorporating the experiences of service users, academics, and state and grassroots practitioners, this volume considers how researchers might bridge the gap between theory and lived experience. It furthers criminological scholarship by capturing the voices of marginalized groups and exploring how criminology can authentically incorporate these voices.
From fine art to popular digital culture, criminologists are increasingly engaged in the processes of the visual.
In this pioneering work, Bill McClanahan provides a concise and lively overview of the origins and contemporary role of visual criminology. Detailing and employing the most prominent approaches at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex social and ethical implications embedded in visual research.
This original book broadens the horizons of criminological engagement and reveals how visual criminology offers new and critical ways to understand and theorize crime and harm.
It is time to disrupt current criminological discourses which still exclude the perspectives of black scholars.
Through the lens of black art, Martin Glynn explores the relevance black artistic contributions have for understanding crime and justice. Through art forms including black crime fiction, black theatre and black music, this book brings much needed attention to marginalized perspectives within mainstream criminology.
Refining academic and professional understandings of race, racialization and intersectional aspects of crime, this text provides a platform for the contributions to criminology which are currently rendered invisible.
Criminology has been reluctant to embrace fictional narratives as a tool for understanding, explaining and reducing crime and social harm.
In this philosophical enquiry, McGregor uses examples from films, television, novels and graphic novels to demonstrate the extensive criminological potential of fiction around the world. Building on previous studies of non-fiction narratives, the book is the first to explore the ways criminological fiction provides knowledge of the causes of crime and social harm.
For academics, practitioners and students, this is an engaging and thought-provoking critical analysis that establishes a bold new theory of criminological fiction.
