You are looking at 1 - 6 of 6 items for :
- Author or Editor: Kate Pahl x
- Participatory Research Methods x
This chapter explores the role of theory in the work of collaborative research. To try to explain how theory comes into the lives of our projects, we tell personal stories about moments of realization where the reading of theory directly connected to how we understand the world of our projects. In the middle of the process of making and doing within the thick of it, new concepts of research and knowing emerged.
In this chapter, we introduce some of the reasons that drove us to compose this book in the first place. The book is written to challenge a singular view of the university and to move towards more collaborative modes of enquiry.
Here, we introduce the reader to some of the key concepts in this book: (1) unplanning, (2) work, (3) story, (4) embodiment, (5) polyphony, (6) worthiness, (7) audiencing and (8) dis/enchantment. These concepts enable a set of insights to be built up about collaborative interdisciplinary research and constitute a poetics arising from that work.
This piece is an encounter with a school which went wrong, but something was retrieved. It shows how it is important to factor potential failure into collaborative research. It is also about what happens when a team of artists go into a school and work together.
This book invites the reader to think about collaborative research differently. Using the concepts of ‘letting go’ (the recognition that research is always in a state of becoming) and ‘poetics’ (using an approach that might interrupt and remake the conventions of research), it envisions collaborative research as a space where relationships are forged with the use of arts-based and multimodal ways of seeing, inquiring, and representing ideas.
The book’s chapters are interwoven with ‘Interludes’ which provide alternative forms to think with and another vantage point from which to regard phenomena, pose a question, and seek insights or openings for further inquiry, rather than answers. Altogether, the book celebrates collaboration in complex, exploratory, literary and artistic ways within university and community research.
This chapter provides an overview of the value of getting lost in research and refers to arts-based methods as a way to do this. It proposes the idea of ‘unplanning’ as a way of exploring what it is to get lost. Using the concept of the ‘clew’ is helpful in this process. This provides new insights into the processes and practices of doing collaborative research.